An Intersection between Creative Process and Compositional Structure
Study of a Sketch of Two
Λέξεις-κλειδιά:
Interactive music system, improvisation, live electronic musicΠερίληψη
This paper describes the creative process of a composition for bassoon and live electronics, which involves elements of improvisation, notated score, and an interactive music system. The creative process suggested a mix of individualist and collaborative approaches. Through discussions and tryout sessions, compositional materials were developed in conjunction with the interactive music system. Following the collaborative process, I went through an individual session where I put everything together—notating the score and developing the interactive music system. A standalone program was then created to minimise the software requirements of the computer used for the performance. The practical challenges posed by this compositional method are discussed with respect to the development of the interactive system.
Αναφορές
Bernardini, N., & Vidolin, A. (2005). SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC. 8.
frauenfelder82 (Director). (2009, September 20). A - St. Florian (Oberösterreich) Stiftskirche Vollgeläut im Südturm [Video recording]. https://www.youtube.com/watch?v=7ZsapJaHBZA
Hayden, S., & Windsor, L. (2007). Collaboration and the Composer: Case Studies from the End of the 20th Century. Tempo, 61(240), 28–39. https://doi.org/10.1017/s0040298207000113
Ross, L. (n.d.). Leslie Ross Instruments and Music: Multiphonics on Modern Bassoon. Retrieved August 17, 2022, from http://www.leslieross.net/multiphonics.html
Rowe, R. (1999). The aesthetics of interactive music systems. Contemporary Music Review, 18, 83–87. https://doi.org/10.1080/07494469900640361
Λήψεις
Δημοσιευμένα
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Άδεια
Πνευματική ιδιοκτησία (c) 2025 Stevie Jonathan Sutanto

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