An Intersection between Creative Process and Compositional Structure: Study of a Sketch of Two

Stevie Jonathan Sutanto

An Intersection between Creative Process and Compositional Structure

Study of a Sketch of Two

Autor/innen

Stevie Jonathan Sutanto Universitas Pelita Harapan

Schlagworte:

Interactive music system, improvisation, live electronic music

Abstract

This paper describes the creative process of a composition for bassoon and live electronics, which involves elements of improvisation, notated score, and an interactive music system. The creative process suggested a mix of individualist and collaborative approaches. Through discussions and tryout sessions, compositional materials were developed in conjunction with the interactive music system. Following the collaborative process, I went through an individual session where I put everything together—notating the score and developing the interactive music system. A standalone program was then created to minimise the software requirements of the computer used for the performance. The practical challenges posed by this compositional method are discussed with respect to the development of the interactive system.

Literaturhinweise

Bernardini, N., & Vidolin, A. (2005). SUSTAINABLE LIVE ELECTRO-ACOUSTIC MUSIC. 8.

frauenfelder82 (Director). (2009, September 20). A - St. Florian (Oberösterreich) Stiftskirche Vollgeläut im Südturm [Video recording]. https://www.youtube.com/watch?v=7ZsapJaHBZA

Hayden, S., & Windsor, L. (2007). Collaboration and the Composer: Case Studies from the End of the 20th Century. Tempo, 61(240), 28–39. https://doi.org/10.1017/s0040298207000113

Ross, L. (n.d.). Leslie Ross Instruments and Music: Multiphonics on Modern Bassoon. Retrieved August 17, 2022, from http://www.leslieross.net/multiphonics.html

Rowe, R. (1999). The aesthetics of interactive music systems. Contemporary Music Review, 18, 83–87. https://doi.org/10.1080/07494469900640361

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Veröffentlicht

2025-07-01

Ausgabe

Bd. 15 Nr. 1 (2025): Jurnal SENI MUSIK

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Articles

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